Alibrandi essay Essay

In the pictorial matter Looking for Alibrandi, director Kate Woods uses many techniques to help you show the principal(prenominal) character, Josie. Some of these techniques be internal negotiation and voice-over narration, daytime-dream sequences and colour enhancement. All these techniques help viewers to have a better meeting of Josies character. The first technique that Woods uses that is very effective appears in an heavy part of the image. Internal dialogue is used so that we can hear how Josie is feeling about the things she is passage through.An example of this is in the opening scene when it is the Italian communitys Tomato Day and Italians masturbate together to peel and stew tomatoes for tomato sauce. From voice-over narration we can hear Josies internal dialogue and understand that Josie doesnt identify with this old-fashioned get together at all. We hear exactly what Josie thinks of it You power think this is all quirky and cute, but I find it really embarrass ing. You would think we were still in Sicilly, but they left thither 50 years ago Ive got to get out of hereSo therefore voice-over narration is a clever technique for helping viewers understand that Josie does non identify with her Italian-Australian heritage or the traditions they follow, and this is particularly useful in the opening scene because it explains what may trickery at the heart of Josies challenges and conflicts to follow. The second technique used by the director to help us understand more about Josie is the day-dream sequence. Whenever Woods want the viewer to understand that Josie is having a day-dream the film is in slow motion and in genus Sepia tones.An example of this is when Josie has a crush on John Barton, who is from a private boys school. She imagines herself standing beside John who is now the Premier of Australia and that she is Mrs Alibrandi-Barton. Cameras are snapping, tickertape is flying and reporters are wanting to speak to her. Another example of a day-dream sequence is when Josie is watching Carly, a very sufficient and spoiled daughter of a racist talk-back host, getting out of the car on the first day of school.We can tell its day-dream because suddenly Carly is walking very slowly and waving like a movie star. This scene shows us that Josie is very jealous of Carly because she is beautiful, rich and her family is friends with Johns. So therefore, Woods has helped viewers to understand that Josie has a strong imagination and how Josie feels about John Barton and Carly. Finally, Woods uses colour enhancement to help us understand more about Josie.This is when the director uses strong Sepia tonesto show us that Josie thinks what is happening is old-fashioned. At the very beginning of the opening scene viewers are presented with a panning shot of Josies Italian family busily making tomato sauce. We are given the impression that this is set some time in the past. When Josie starts talking the colour changes to full colour . From this technique we learn that Josie doesnt regard Tomato Day as part of her world, or the world of modern Australia.So therefore Woods use of strong sepia tonings right at the beginning of the opening scene helped us understand that Josie was straining against expressions of her Italian-Australian heritage. In the remnant scene it is Tomato Day again but the whole thing is filmed in full-colour with Josie taking part in the stirring and dancing with Nona. Instead of escaping to the beach, she invites her friends in. This helps us understand that by the end of the movie, Josie is homy with her Italian-Australia heritage and has therefore overcome some major personal conflicts about her identity.In conclusion, in the movie Looking for Alibrandi, director Kate Woods was able to help viewers understand main character Josies opinions and conflicts through the verbal techniques of internal dialogue and voice-over narration, and visual techniques of day-dream sequences and strong sepia tones. The dialogue allowed us to understand what Josie was thinking and it lets you get into the frame of mind of the leading character of the movie. Day-dream sequences were important because they disclosed Josies fears and hopes for the time to come while strong sepia colour helped us to know that Josie thought that her family was old-fashioned.